Learning to gain stage sounds boring BUT…it’s VERY quick to learn (and super important!). It can get you better mixes in just a few minutes.
Spend a few minutes learning how to gain stage properly, and it will pay HUGE dividends in the quality of your productions.
And don’t worry…It’s simpler than it sounds:
One of the most important skills to learning music production is the art of layering different sounds. In fact, one could say that this is THE skill – regardless of genre.
An orchestra involves layer complimentary sounds, as does a band, and it's certainly the case when it comes to Electronic Dance Music production. Think about it for a second, the kick layers under the snare, the synth on the bass, and the effects on top of everything else...
We all want wide, clear, punchy mixes. Here are my top 10 ways for achieving super-wide stereo width in an easy to understand, step-by-step tutorial.
Stereo width is super-important when it comes to a pro-sounding mix, and there are a few tools at our disposal. This video goes through my ten favourite techniques, and how to to use them. In this video, we cover...
Learning how to sidechain properly is a production technique that can just up the quality of all your tracks, and in this post, we walk through four techniques to achieve similar results.
Sidechain compression is a technique that’s found its way into pretty much EVERY dance track in the world – in all genres – and for VERY good reason.
MASTER A SONG in 7 simple steps, in your bedroom. FULLER, FATTER, LOUDER & MORE CLEAR!
Mastering is the final, essential stage in music production, and is considered a dark art by some. It's where a track is polished, taking it up to radio / club / festival quality. We want it loud, clear, fat and wide without distortion.
Audio compression is ESSENTIAL in producing and mixing world-class music (of any genre, but particularly EDM genres), and alongside volume and equalisation (and our ears), compressors are arguably one of the most important mixing tools we have at our disposal.
In this post, I explain all the core controls that decent compressors have (Threshold, Ratio, Attack, Release, Output Gain and Knee), and how they work, and then go through 4 examples of why, where and how you might want to compress...
We’re all looking for the secret to amazing mixes; a silver bullet that makes them pop. No more mud; clear mids, deep lows and crisp, shiny highs. Mixing in mono might not be silver bullet, but it's a damn good place to start.
We all know how ESSENTIAL a great mix is if we want our tracks playing alongside those by our favourite producers, or released on our favourite labels.
"Should I mix on monitors or headphones?" One of the most asked questions in the music production world – especially if you are just starting out.
This guest-post from Nadav at Catzaudio helps answer this age-old question, and highlights the pros and cons of both options. He's interviewed many world-class DJs and producers such as The Chainsmokers, Vicetone, Cazzette & Laidback Luke to name but a few, so has some good sources to draw from. I chip in from time to time to give my opinion, and we both give some suggestions of available solutions...
Are you tired of weak, thin or muddy bass? Looking to get a powerful, fat bottom end in your mix (without the muddiness)? Here are my 4 best tips for mixing your low end...
There are few things as important as a solid low end in Electronic Dance Music. We want to make music that rocks the dance floor or shakes the stage, and the low end is the foundation of all dance music.